Of course, it?s worth considering whether the world needs a more realistic, balanced Carrie, or if the source material, a baroque American gothic, can even support it. The movie had a delirious, pop-operatic style that will never be topped. And any new version of Carrie has to compete with Brian De Palma?s memorable suspense sequences, which are as brilliant as any ever filmed. On this count, the television remake and the sequel fail miserably. Even the original book, Stephen King?s first, doesn?t hold up nearly as well. But what this musical grasps is that the only thing that can possibly manipulate your emotions as well as Hitchcockian camerawork is the swelling crescendo of a heartfelt song. No bucket of blood or special effect carries the punch of ?When There?s No One,? a ferocious Act II ballad that Mazzie injects with a stirring intensity.
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